Title: The Man from Milwaukee
Author: Rick R. Reed
Narrator: Donald Davenport
Publisher: NineStar Press
Release Date: July 20, 2020
Heat Level: 3 - Some Sex
Length: 7 hrs and 10 mins
Genre: Horror/Thriller, LGBTQIA+, horror, mental illness, grief, virgin/first time, Jeffrey Dahmer, HIV, AIDS
It’s the summer of 1991 and serial killer Jeffrey Dahmer has been arrested. His monstrous crimes inspire dread around the globe. But not so much for Emory Hughes, a closeted young man in Chicago who sees in the cannibal killer a kindred spirit, someone who fights against the dark side of his own nature, as Emory does. He reaches out to Dahmer in prison via letters.
The letters become an escape—from Emory’s mother dying from AIDS, from his uncaring sister, from his dead-end job in downtown Chicago, but most of all, from his own self-hatred.
Dahmer isn’t Emory’s only lifeline as he begins a tentative relationship with Tyler Kay. He falls for him and, just like Dahmer, wonders how he can get Tyler to stay. Emory’s desire for love leads him to confront his own grip on reality. For Tyler, the threat of the mild-mannered Emory seems inconsequential, but not taking the threat seriously is at his own peril.
Can Emory discover the roots of his own madness before it’s too late and he finds himself following in the footsteps of the man from Milwaukee?
The Man from Milwaukee
Rick R. Reed © 2020
All Rights Reserved
Dahmer appeared before you in a five o’clock edition, stubbled dumb countenance surrounded by the crispness of a white shirt with pale-blue stripes. His handsome face, multiplied by the presses, swept down upon Chicago and all of America, to the depths of the most out-of-the-way villages, in castles and cabins, revealing to the mirthless bourgeois that their daily lives are grazed by enchanting murderers, cunningly elevated to their sleep, which they will cross by some back stairway that has abetted them by not creaking. Beneath his picture burst the dawn of his crimes: details too horrific to be credible in a novel of horror: tales of cannibalism, sexual perversity, and agonizing death, all bespeaking his secret history and preparing his future glory.
Emory Hughes stared at the picture of Jeffrey Dahmer on the front page of the Chicago Tribune, the man in Milwaukee who had confessed to “drugging and strangling his victims, then dismembering them.” The picture was grainy, showing a young man who looked timid and tired. Not someone you’d expect to be a serial killer.
Emory took in the details as the L swung around a bend: lank pale hair, looking dirty and as if someone had taken a comb to it just before the photograph was snapped, heavy eyelids, the smirk, as if Dahmer had no understanding of what was happening to him, blinded suddenly by notoriety, the stubble, at least three days old, growing on his face. Emory even noticed the way a small curl topped his shirt’s white collar. The L twisted, suddenly a ride from Six Flags, and Emory almost dropped the newspaper, clutching for the metal pole to keep from falling. The train’s dizzying pace, taking the curves too fast, made Emory’s stomach churn.
Or was it the details of the story that were making the nausea in him grow and blossom? Details like how Dahmer had boiled some of his victim’s skulls to preserve them…